AT THE END THE WORLD REALLY ENDS by Helena Pantsis
An experiment in Microsoft Word, ‘AT THE END THE WORLD REALLY ENDS’ utilises only shapes and text to extend poetry to a visual feat. Examining a series of topics, the isolation of the format is intended to highlight the intersectionality of identity, mental illness, and class division amongst others, culminating in a thread of works that exist both separately and as a cohesive view of the previous few years of the author’s life. Works can be viewed in any order and can also be read in various ways.
An experiment in Microsoft Word, ‘AT THE END THE WORLD REALLY ENDS’ utilises only shapes and text to extend poetry to a visual feat. Examining a series of topics, the isolation of the format is intended to highlight the intersectionality of identity, mental illness, and class division amongst others, culminating in a thread of works that exist both separately and as a cohesive view of the previous few years of the author’s life. Works can be viewed in any order and can also be read in various ways.
An experiment in Microsoft Word, ‘AT THE END THE WORLD REALLY ENDS’ utilises only shapes and text to extend poetry to a visual feat. Examining a series of topics, the isolation of the format is intended to highlight the intersectionality of identity, mental illness, and class division amongst others, culminating in a thread of works that exist both separately and as a cohesive view of the previous few years of the author’s life. Works can be viewed in any order and can also be read in various ways.